I'm so glad that I used my show-biz pull to make these guys into rock stars! I would even do it again today!
But why not more instrumentals? Most of their song titles would be great for instrumentals (King Size, A.I.R., Random Acts of Senseless Violence, Metal Thrashing Mad)...nothing against the fine vocalists they've had, but I'm always disappointed when another of their tunes turns out not to be an instrumental & Ive gotta wait for the guitar solo for my ears to bleed!
Remember Edgar Winter's Frankenstein? We need a 21st century monster like that!
I've been waitin' to say this for 25 years!
Something to think about if Scott & crew are ever again "between singers."
But why not more instrumentals? Most of their song titles would be great for instrumentals (King Size, A.I.R., Random Acts of Senseless Violence, Metal Thrashing Mad)...nothing against the fine vocalists they've had, but I'm always disappointed when another of their tunes turns out not to be an instrumental & Ive gotta wait for the guitar solo for my ears to bleed!
Remember Edgar Winter's Frankenstein? We need a 21st century monster like that!
I've been waitin' to say this for 25 years!
Something to think about if Scott & crew are ever again "between singers."

As FANGORIA celebrates it’s 30th Anniversary this year, some longtime friends of the magazine are celebrating their own anniversary. On May 12th, Megaforce Records will be celebrating the 25th Anniversary of
In the first part of FANGORIA MUSICK’s exclusive interviews, James Zahn talks with Anthrax guitarist and lyricist 
FANGORIA: Right on. A lot of our readers know you as someone that’s really been into comics, with the JUDGE DREAD imagery and the work that Alex Ross does for you - what horror comics have you been into lately?
FANGORIA: A lot of FANGORIA readers that aren’t necessarily metal fans, have certainly been exposed to the music of Anthrax through horror soundtracks going back many years.
wants to know if you could come down and meet with him, because he’d like Anthrax to score a bunch of the movie.” That’s one of those calls where you’re like, “Yeah, OK and Santa Claus is coming over.” So I say ok, and they ask “Can you go now?” That’s one of those situations where you say “Holy shit!” and then you’re sitting there with John Carpenter and he’s showing scenes from the movie asking if you can come up with things in the right tempo and to fit the vibe. That was a real “Holy shit!” moment, and he showed us about twenty minutes of the movie. Again, not the greatest Carpenter movie of all time, but for us it was an absolutely amazing experience to get to work with John, and just spend four or five days in the studio with him. It was mind-blowing.
FANGORIA: Anything new coming up on the film front?
IAN:
